![]() The highly efficient ProHD form of H-V pixel shift, where the Blue pixels' sensor array is JVC's advanced ProHD capture technology incorporates a new patent-pending Adaptive Pixel Correlation Technique (APCT), and combined with TRIPLEX Offset Technology delivers exceptional resolving power comparable to cameras with larger image sensors. The GY-HM790 utilizes three precisely aligned 1/3-inch progressive scan full HD CCDs-one each for red, green and blue primary color-and outputs full resolution in bothħ20p and 1080i/p. JVC's VF-HP790 is an 8.4-inch high resolution LCD viewfinder with a digital interface to the camera.ĭesigned to Achieve Higher HD Picture Quality with JVC's Advanced Technologies In a studio configuration, the GY-HM790 can be hand held, or easily fitted with the KA-790 sled, a sleek and functional housing that supports a studio viewfinder, teleprompter and large lens if desired. Other modules include the KA-F790 Remote Fiber Adapter, the KA-AS790 ASI Module, and the KA-MR100G SxS memory card recorder. The KA-M790 multi-core studio interface module offers a 26-pin interface compatible with cables from JVC and Sony to connect with a camera control unit (CCU.) Power, camera control, intercom, tally and a fully digital HD signal path are available through the RM-HP790 CCU. The GY-HM790 is equipped with a 68-pin chassis connector that allows various modules to be attached to the unit without external cabling. Building on the unique JVC "compact shoulder" form factor, the GY-HM790 offers top picture quality in all HD and SD modes, and is suitable for mainstream studio HD production, EFP, and ENG. The code is written in Java so it should run on both OSX or Windows.ARCHIVED JVC's new GY-HM790 is a full resolution HD progressive camera with a modular design providing for complete studio configuration as well as for versatile field use. The utility can be downloaded from the bottom of the page here: By doing so the FCP users don't have to wait while FCP rewraps the video if the video is wrapped in a Quicktime wrapper.Īs someone hinted at above Convergent Design have written a couple of little utilities to wrap. I'd hazard a guess JVC are even using the same Sony chip as Convergent Design use. JVC are doing the same thing as Convergent Design, they are wrapping the XDCAM EX stream in either a. This is not the same as what say Arri are doing with the Alexa that writes Prores onto SxS cards. "Bob, according to the JVC site I visited, here and here, the files are native to FCP."įile Format: Quick time format for Final Cut Pro/ISO. ![]() I know on the EX forum the vast majority of users are of the FCP ilk. You may want to check the JVC forum at The COW to see if anyone there is using that camera with Vegas. Too, that camera appears to have "optimized" for FCP users, as the first file format recording type is "Quick time format for Final Cut Pro" (which supports Dave's comment above) That is a deal breaker for me! The MP4 option seems to be an appeasement for those who have not been assimilated by FCP. Unfortunately, there does not appear to be any way to wrap the media as MXF files, hence, you're forced to use MP4s, which I don't understand. That is not bad in and of itself, as long as you keep the BPAV folder in tact somewhere. Having read through the manual (for Windows portion) it appears that you can only access/use the files as MP4s. It looks like a watered down Clipbrowser, which it would have to be, since the camera is using the XDCAM EX technology (that's clear because it does create and use BPAV folders). ![]() Mike, when you say "JVC utility" are you referring to the JVC ProHD Clip Manager?
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